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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
    <language>en</language>

  <item>
    <title>The Dying Earth</title>
    <link>http://bactra.org/notebooks/2008/12/27#dying-earth</link>
    <description>
&lt;P&gt;A sub-genre of &lt;a href=&quot;science-fiction.html&quot;&gt;science fiction&lt;/a&gt; and &lt;a
href=&quot;fantasy.html&quot;&gt;fantasy&lt;/a&gt;, set in the far future: decadent,
inward-looking, dreaming cities, largely forgotten
technology-indistinguishable-from-magic (or maybe it is magic), the sun growing
dim, red, splotchy, etc.  &lt;a href=&quot;vance.html&quot;&gt;Jack Vance&lt;/a&gt; gave it its best
expression in a set of his books beginning with &lt;cite&gt;The Dying Earth.&lt;/cite&gt;
Gene Wolfe's &lt;cite&gt;Book of the New Sun&lt;/cite&gt; is another outstanding instance.
Much of Clark Ashton Smith (especially the Zothique stories) has this setting,
and I think Klarkash-ton is the oldest writer where we find all the elements
combined.  One root is of course &lt;cite&gt;The Time Machine,&lt;/cite&gt; with its
terminal vision of a run-down world, and, I think, even the earlier passages on
the Eloi and the Morlocks.  (Ch. 3 of Sebastiano Timpanaro's &lt;cite&gt;On
Materialism&lt;/cite&gt; gives a number of late nineteenth century instancees of the
&quot;dying earth&quot; theme, but oddly does not mention Wells.)  The other root,
probably Smith's real contribution, is the 19th century &lt;a
href=&quot;decadence.html&quot;&gt;decadents and symbolists&lt;/a&gt;: hence (in part) the
pseudo-medieval or pseudo-classical settings, with no real thought to poltics
or society.

&lt;ul&gt;Recommended:
	&lt;li&gt;&lt;a href=&quot;http://www.panterraweb.com/the_spike.htm&quot;&gt;Damien
Broderick&lt;/a&gt;, &lt;cite&gt;The Black Grail&lt;/cite&gt;
	&lt;li&gt;&lt;a href=&quot;cherryh.html&quot;&gt;C. J. Cherryh&lt;/a&gt;, &lt;cite&gt;Sunfall&lt;/cite&gt; [The
great exception to what I wrote above about the inattention to politics.
Cherryh looks at power in her usual flinty-eyed, archaeological way, giving the
impression of Huysmans as re-told by Colin Renfrew --- or, more precisely, by
Ariane Emory.  Strangely enough, it works: but nothing else by her that I've
read shares this setting.]
	&lt;li&gt;Arthur Clarke, &lt;cite&gt;The City and the Stars&lt;/cite&gt; [A highly
mutated member of the species.]
	&lt;li&gt;Paul McAuley, &lt;cite&gt;Confluence&lt;/cite&gt; [Trilogy.  This is not so
much a dying Earth as a dying artificial world at a time when Earth is long
gone; but the feel is there, though everything which seems magical gets a
hard-SF explanation in the end.  The three separate books are, in order,
&lt;cite&gt;Child of the River&lt;/cite&gt;; &lt;cite&gt;Ancients of Days&lt;/cite&gt;; and
&lt;cite&gt;Shrine of Stars.&lt;/cite&gt;]
	&lt;li&gt;Larry Niven, &lt;cite&gt;A World Out of Time&lt;/cite&gt;
	&lt;li&gt;Robert Silverberg, &lt;cite&gt;Nightwings&lt;/cite&gt;
	&lt;li&gt;Doris Piserchia, &lt;cite&gt;A Billion Days of Earth&lt;/cite&gt;
	&lt;li&gt;Dan Simmons, &lt;cite&gt;Hyperion&lt;/cite&gt; [Part of the Poet's Tale is a
Dying Earth story, sort of; and the poet survives the Earth to write a book
called, exactly, &lt;cite&gt;The Dying Earth.&lt;/cite&gt; But &lt;cite&gt;Hyperion&lt;/cite&gt; should
be read anyway, since it's fabulously good.]
	&lt;li&gt;Clark Ashton Smith
		&lt;ul&gt;
		&lt;li&gt;The stories set on the (as yet non-existant) continent of
Zothique are pure dying earth.  They were collected under the editorship of the
redoubtable Lin Carter as &lt;cite&gt;Zothique&lt;/cite&gt; in Ballantine's adult fantasy
series in the '70s.  This volume, like the other Ballantine collections of
Smith's stories, is out of print.
		&lt;li&gt;&lt;cite&gt;A Rendezvous in Averoigne&lt;/cite&gt; (Arkham House) does,
however, contain most of the Zothique stories, and many others.
		&lt;li&gt;&lt;a
href=&quot;http://members.nbci.com/eldritchdark/writings.html&quot;&gt;Complete On-line
Works&lt;/a&gt;
		&lt;/ul&gt;
	&lt;li&gt;&lt;a href=&quot;vance.html&quot;&gt;Jack Vance&lt;/a&gt;
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;The Dying Earth&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Eyes of the Overworld&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Cugel's Saga&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Rhialto the Marvellous&lt;/cite&gt;
		&lt;li&gt;Many of Vance's other works, like &lt;cite&gt;The Last
Castle,&lt;/cite&gt; have something of the flavor of the dying earth.
		&lt;/ul&gt;
	&lt;li&gt;H. G. Wells, &lt;cite&gt;The Time Machine&lt;/cite&gt; [&lt;a
href=&quot;http://www.bartleby.com/1000/&quot;&gt;On-line text&lt;/a&gt;]
	&lt;li&gt;Gene Wolfe
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;The Book of the New Sun:&lt;/cite&gt; originally,
&lt;cite&gt;Shadow of the Torturer,&lt;/cite&gt; &lt;cite&gt;Claw of the Conciliator,&lt;/cite&gt;
&lt;cite&gt;Sword of the Lictor,&lt;/cite&gt; &lt;cite&gt;Citadel of the Autarch.&lt;/cite&gt; These
are now in print in two volumes (&lt;cite&gt;Shadow and Claw&lt;/cite&gt; and &lt;cite&gt;Sword
and Citadel&lt;/cite&gt;), plus a sequel, &lt;cite&gt;The Urth of the New Sun.&lt;/cite&gt; It
must be confessed that there's every possibility that this world is in fact in
the very distant &lt;em&gt;past,&lt;/em&gt; but is, itself, at the end of the line.
		&lt;li&gt;&lt;cite&gt;The Book of the Long Sun&lt;/cite&gt; is peripherally
connected to the &lt;cite&gt;New Sun&lt;/cite&gt; series; I've only read the first half.
		&lt;/ul&gt;
	&lt;/ul&gt;

&lt;ul&gt;Genre specimens I have read but cannot recommend:
	&lt;li&gt;Matthew Hughes, &lt;cite&gt;Fools Errant&lt;/cite&gt; [This wasn't bad,
exactly, but definitely underwhelming.  There are a number of sequels, which
I haven't read.]
	&lt;li&gt;Tanith Lee, &lt;cite&gt;The Birthgrave&lt;/cite&gt;
	&lt;li&gt;Jack Lovejoy, &lt;cite&gt;Magus Rex&lt;/cite&gt;
	&lt;/ul&gt;


&lt;ul&gt;To read:
	&lt;li&gt;Brian Aldiss, &lt;cite&gt;Hothouse&lt;/cite&gt;
	&lt;li&gt;A. A. Attanasio, &lt;citE&gt;Last Legends of Earth&lt;/cite&gt;
	&lt;li&gt;Damien Broderick (ed.), &lt;citE&gt;Earth Is but a Star: Excursions
through Science Fiction to the Far Future&lt;/cite&gt; [Compilation of fiction and
criticism]
	&lt;li&gt;Marion Zimmer Bradley, Darkover novels [A dying alien world,
inhabited (to judge by the back-cover copy) by human beings with psychic
powers.  Thanks to Joseph Fuqua for bringing this to my attention --- I gave up
on Bradley after being supremely disappointed by &lt;cite&gt;Mists of Avalon.&lt;/cite&gt;]
	&lt;li&gt;Samuel R. Delaney, &lt;cite&gt;Dhalgren&lt;/cite&gt;
	&lt;li&gt;Philip Jose Farmer, &lt;cite&gt;Dark Is the Sun&lt;/cite&gt;
	&lt;li&gt;William Hope Hodgson
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;The House on the Borderland&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;The Night Land&lt;/cite&gt;
		&lt;/ul&gt;
	&lt;li&gt;George R. R. Martin and Gardner Dozois (eds.), &lt;cite&gt;Songs
of the Dying Earth&lt;/cite&gt; [Vance-authorized anthology]
	&lt;li&gt;Darrell Schweitzer, &lt;cite&gt;The Shattered Goddess&lt;/cite&gt;
	&lt;li&gt;Gene Wolfe, &lt;cite&gt;The Book of the Short Sun&lt;/cite&gt;
	&lt;/ul&gt;
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