H. P. Lovecraft (1890--1937)
29 Dec 2023 14:32
American writer of horror, science fiction and fantasy; I have been reading him since I was twelve or thirteen.
The worst thing about Lovecraft, as a writer, is the stilted excess of much of his prose: "purple" hardly does it justice. His habit of rummaging through the dictionary sometimes finds gems, but for every "eldritch" there's at least one "squamous" and two "rugoses". Those were meant to suggest a learned, leisurely, gentlemanly 18th-century manner, but Lovecraft was not Edward Gibbon and just couldn't pull it off.
These days, I think many critics would regard his very overt racism as a bigger flaw than his prose. I agree it is a flaw, but lots of good writers had political ideas which later generations find repulsive. (I have enjoyed plenty of books by authors who were, at the very least, fellow-travelers of Stalinism.) The aesthetic issues with Lovecraft's racism are, it seems to me, three-fold:
- It's often so over-the-top as to be distracting or disfiguring;
- He had very strong reactions to things which (now) seem trivial;
- It is inconsistent with his best ideas.
(3) is, to my mind, the most important. There is a well-known passage where Lovecraft describes what he was aiming at:
Now all my tales are based on the fundamental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large. ... To achieve the essence of real externality, whether of time or space or dimension, one must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all. [1927]He would have been a stronger writer, by his own best standards, if he could have realized that when confronting "the shadow-haunted Outside", obsessing over the shape of his (human) characters' noses is puerile and distracting.
Despite those puerile distractions, and that over-wrought prose style, Lovecraft is worth reading, almost a century after he died in obscurity. This is because at his best he succeeded in evoking that sense of the little warm human world opening out into something vaster and darker, and indifferently hostile. There is I think an interesting essay --- which may have been written! --- about Lovecraft as an anti-mythic mythopoet, who succeeded in creating new myths by inspired inversions of ancient themes. (Thus I have thought since I was an undergrad that, at some level, Cthulhu is a parody of Christ. [I would not like to make "at some level" more precise just now.])
There are two sets of inter-textual questions regarding Lovecraft I would like to know more about.
- Did he read Blavatsky directly, or second-hand? When, and how much? Blavatsky's cosmology involved a whole series of more-or-less-inhuman, not-quite-material-as-we-understand-it races occupying the Earth in prehistory, some of them on now-sunken continents, and leaving records known in esoteric lore, so I am pretty sure there must be either a line of descent (Theosophy was big in those days), or, less likely, a common source.
- Did he read Olaf Stapledon's Last and First Men? It came out in 1930, and "The Shadow Out of Time" was written in 1934--1935, and there's so much similarity (recounting the future history of the solar system and humanity, telepathic creatures of the far future inhabiting the consciousness of present-day humans to research all the different forms of mind) that either Lovecraft read Stapledon and was inspired, or, again, there's a common source.
Pointers on either subject would be appreciated.
- Recommended, by HPL:
- Tales [The one-volume Library of America selection, edited by the late, great Peter Straub.]
- Specific stories [I realize this carries an air of "fight me, bro", but I'm too old for that, so just take these as one fan's suggestions]:
- At the Mountains of Madness
- The Case of Charles Dexter Ward
- "The Shadow Out of Time"
- "The Color Out of Space"
- "The Shadow over Innsmouth"
- The Dream-Quest of Unknown Kadath
- "The Whisperer in Darkness"
- "The Dunwich Horror"
- "Dreams in the Witch House"
- "The Thing on the Doorstep"
- "The Haunter of the Dark"
- "Pickman's Model"
- "The Call of Cthulhu"
- "The Rats in the Walls"
- "The Doom that Came to Sarnath"
- "The Cats of Ulthar"
- "The Nameless City"
- "The Silver Key"
- "Supernatural Horror in Literature"
- Recommended, about HPL (very misc.):
- Jason Colavito, From Cthulhu to Cloning [Comments]
- L. Sprague de Camp, Lovecraft: A Biography [de Camp was a science fiction writer who was very familiar with Blavatsky and her influence, so he'd probably be able to answer my questions above, but I didn't have them when I read this in college]
- Modesty forbids me to recommend:
- Anything linked to from here
- To read:
- Jason Colavito, The Cult of Alien Gods: H.P. Lovecraft And Extraterrestrial Pop Culture
- Scott R. Jones, When the Stars Are Right: Towards an Authentic R'Lyehian Spirituality [On the one hand, this looks entertainingly daft; on the other hand, I feel like unpacking the pentultimate adjective of the subtitle would call for a whole monograph]
- S. T. Joshi, I Am Providence: The Life and Times of H. P. Lovecraft